By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. When Henry visits Wolf Hall, Cromwell watches as he falls in love with the silent, plain Jane Seymour. The minister sees what is at stake: not just the king's pleasure, but the safety of the nation. As he eases a way through the sexual politics of the court, its miasma of gossip, he must negotiate a 'truth' that will satisfy Henry and secure his own career. But neither minister nor king will emerge undamaged fro the bloody theater of Anne's final …
By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. When Henry visits Wolf Hall, Cromwell watches as he falls in love with the silent, plain Jane Seymour. The minister sees what is at stake: not just the king's pleasure, but the safety of the nation. As he eases a way through the sexual politics of the court, its miasma of gossip, he must negotiate a 'truth' that will satisfy Henry and secure his own career. But neither minister nor king will emerge undamaged fro the bloody theater of Anne's final days.
In Bring Up the Bodies, sequel to the Man Booker Prize-winning Wolf Hall, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn. This new novel is a speaking picture, and audacious vision of Tudor England that sheds its light on the modern world. It is the work of one of our great writers at the height of her powers. --jacket flap
Mantel's fictional retelling of the life of Cromwell continues, using the same conceits as the first book ("he" is always Cromwell). I assume no spoiler warnings are needed for a book describing events that took place 480 years ago: the book concerns the fall of Anne Boleyn, and Cromwell's role in making that happen. As Cromwell circles his prey and closes in, Mantel's writing is riveting and the verbal sparring is absolutely chilling. Reading it was an total pleasure.
Hard to believe this could be better than Wolf Hall, but it really is. Pacy, gripping and enlightening. One of those books that makes you a more complete person simply by reading it. We are at Cromwell's side throughout, and can see how his plans take shape and why he must take the action he does, but that does not mean we are uncritical of his actions. It is a very interesting, and privileged position to be so intimate with another's thoughts. More intimate than if it was written in the first person, oddly enough. I just don't know how Mantel achieves this effect, but it is damned clever.
