Reviews and Comments

spoliers

I usually resist reading books that are too zeitgeist, with articles and films bombarding one with instructions on how one ought to think of the book. But on my wife's recommendation, and because I am lying sick in bed, I thought I would give it a try. It was a quick and enjoyable read.

Most people seem to focus on the plot, which rolls the story along in an entertaining way, with plenty of twists and turns (hence all the spoiler alerts). But I did see some (not all) of these twists coming. What was more interesting for me was how the author inserts a psychopathic Becky Sharpe (Vanity Fair) into a modern morality tale using dual perspective narratives. We are invited to guess (if we choose to notice) that these narratives should not carry the same weight, evidentially. Nick's narrative is author's first person, but Amy's is clearly entitled 'diary entry'. Whilst we may suspect that neither character is being entirely honest with the reader, we realise that the diary is the least reliable account.

Yet, despite the elaborate falsehoods, the diary is often the better read. It is a great account of how a marriage can descend into hell. It is also a an interesting disquisition on the rights and responsibilities of marriage, the obligations to communicate. But then the diary gets darker, our sympathy for Nick evaporates, and we root for this attractive, super-intelligent talented woman who has been forced to waste her life in the sticks. And then the plot is revealed, and we realise we have been had.

Nonetheless, I still found myself rooting for Amy. I was sad for her when she lost all her money at the cabin, worrying about what she would do next. So I do not buy into the idea that this book provides fuel for misogynist trolls. Yes, she does take some things to the extreme, but she seems also to be an example of how being regarded as perfect ('amazing Amy') is a burden. As Nick says near the end of the book, when he looks at her sleeping, he no longer feels like he is staring at the sun. Her extraordinary efforts to control him, bend the world to her will, get away with murder, all serve to remove the shine. Ironically, by being so threatening, she becomes less intimidating.

This is maybe where some of the feminist criticism of the book (I am looking at you, Guardian) is off beam. Misogyny, exemplified by the recent trend for trolling, often arises from men being intimidated by women. In the battle of the sexes, very few men would now think that men have much claim to superior intelligence. Amy was an intimidating child, and is an intimidating woman. Throughout their relationship, Nick needs to find a way to survive being in her presence, to not be blinded by the sun. By the end of the book, after all they have been through, he may feel that living with a flawed psychopath is preferable to living with perfect, 'amazing Amy'.