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'ö-Dzin Tridral 🏴󠁧󠁢󠁷󠁬󠁳󠁿 Locked account

tridral@ramblingreaders.org

Joined 2 years, 4 months ago

'ö-Dzin Tridral 🏴󠁧󠁢󠁷󠁬󠁳󠁿 འོད་འཛིན་དྲི་བྲལ

Born in #Cardiff in 1959. Ordained #Buddhist in the Aro Tradition of Tibetan #Buddhism. Husband of award-winning #author Nor'dzin Pamo. #Publishing books on Buddhism, #Meditation, etc. Amateur #photographer publishing a photograph every day on #Blipfoto

Personal image is 'Tantipa the Weaver' by Ngakma Déwang Pamo from 'Warp and Weft of Wonderment' by Ngakma Métsal Wangmo

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'ö-Dzin Tridral 🏴󠁧󠁢󠁷󠁬󠁳󠁿's books

Jones, David: The anathemata (1979, Faber and Faber, Faber & Faber) 5 stars

It should be performed

5 stars

Time cascades through words allusions illusions elude and elide unknown unspoken histories stories fragmented interrupted old ways that were are no more do we know of Latin to the depth and breadth of the poet who seeks to create a world from a work of words which once carried meanings left behind in the narrow passage of time cascades through words. Impressions inspired to linger of a reality that did not stay itself from the onrush of change inevitably affects all things that the poet implied may have died leaving a subtle taste of what were impressions inspired to linger. The present makes of the past what is known in the moment with everything implied and applied to current culture we know not what was really meant by the poet only what the present makes of the past. It should be performed orated or rated by critics footnotes played by …

Jones, David: The anathemata (1979, Faber and Faber, Faber & Faber) 5 stars

The times are late and get later, not by decades but by years and months, This tempo of change, which in the world of affairs and in the physical sclences makes schemes and data outmoded and irrelevant overnight, presents peculiar and phenomenal difficulties to the making of works, and almost insuperable difficulties to the making of certain kinds of works; as when, for one reason or another, the making of those works has been spread over a number of years, The reason is not far to seek, The artist deals wholly in signs. His signs must be valid, that is valid for him and, normally, for the culture that has made him, But there is a time factor affecting these signs. If a requisite now-ness is not present, the sign, valid in itself, is apt to suffer a kind of invalidation. This presents most complicated problems to the artist working outside a reasonably static culture-phase, These and kindred problems have presented themselves to me with a particular clarity and an increasing acuteness, It may be that the kind of thing I have been trying to make is no longer makeable in the kind of way in which I have tried to make it.

The anathemata by  (Page 15)

(Preface)

H. Bartholomew: Dangerous Dimensions (2021, British Library Publishing) 5 stars

Each story was a reality unto itself

5 stars

Deep pink on black, the book cover featured a strange figure both in and out of this world. Hands outstretched, an expression of fear or wonder. 'Come in, come in, things are different here'

I found myself drawn to the book as if by a mysterious force. On opening the cover I was immediately drawn /into/ a myriad other worlds, a short step, or lightyears, from what I knew. There was a infinite dark corridor. Doors led off, left and right, above and below. Behind each door was a story. There was a feeling of age around the stories. A century or a millennium might have passed since they came into being.

Each story was a reality unto itself and I found myself inside places that behaved differently from our own space, and from each other. I watched with quiet astonishment. Otherworlds where our dead might reside, they could be …

H. Bartholomew: Dangerous Dimensions (2021, British Library Publishing) 5 stars

I repeat: In order for a book to exist, it is sufficient that it be possible. Only thee impossible is excluded. For example, no book is also a staircase, though there are no doubt books that discuss and deny and prove that possibility, and others whose structure corresponds to that of a staircase.

Dangerous Dimensions by  (Page 282)

(The Library of Babel, Jorge Luis Borges (1941))

H. Bartholomew: Dangerous Dimensions (2021, British Library Publishing) 5 stars

Hence, if higher space exists and our world borders upon it and lies partially in it, it follows necessarily that we see only portions of all objects. We never see their true and complete shape. We see their three measurements, but not their fourth. The new direction is concealed from us, and when I hold this book and move my hand all round it I have not really made a complete circuit. We only perceive those portions of any object which exist in our three dimensions, the rest escapes us. But, once learn to see in higher space, and objects will appear as they actually are. Only they will be hardly recognizable!

Dangerous Dimensions by  (Page 113)

(A victim of higher space, by Algernon Blackwood (1914))

Rob Nairn: Living, Dreaming, Dying (Paperback, 2004, Shambhala) 4 stars

The author integrates the insights of Jungian psychology with the teachings of Tibetan Buddhism to …

“If we understand the great cyclic nature of our existence, we will view ourselves differently. Not young, not old, just at one or another point on the great wheel of life, moving ceaselessly through the illusion of time and space.” ― Rob Nairn

Living, Dreaming, Dying by  (Page 246)

Rob Nairn: Living, Dreaming, Dying (Paperback, 2004, Shambhala) 4 stars

The author integrates the insights of Jungian psychology with the teachings of Tibetan Buddhism to …

“Compassion seems to be a much misunderstood concept. It is not a sentimental emotion. It is the discerning ability to help in an appropriate manner; it is vital, active knowledge of what is appropriate in a given situation and the wisdom to apply it skilfully.” ― Rob Nairn

Living, Dreaming, Dying by  (Page 223)