The Poppy War

I saw lots of enthusiasm for The Poppy War from other book reviewers and bloggers over the past few years since its publication so put it on my wishlist, but I didn't make any further efforts towards reading this book until it was suggested for February's Readalong and I realised it is actually a perfect My WorldReads fit. I learned that The Poppy War series, while being an imaginative fantasy adventure tale, is also strongly reflective of China's twentieth century history. While I am not knowledgeable enough on that topic to spot all the references, I could recognise significant events such as the Opium Wars themselves of course and also the horrors of Nanking which is retold here in a city called Golyn Niis.

From the early chapters where young Rin is mercilessly driving herself to achieve and then succeed in an education to which many people feel she is not entitled, I could understand that The Poppy War was not going to be a light tale, but that didn't prepare me for the grim darkness that Kuang takes us to. This is not a novel for the faint-hearted, especially when considering that its most gruesome scenes aren't fantasy at all. That said, I found Rin's story to be a compelling read which has left me eager to plunge into the sequel.

Rin herself is brilliantly complex and, frequently, not someone with whom I could easily sympathise, even though I could always understand why she makes certain choices. Kuang is skilled at making her protagonists utterly believable while giving them jaw-dropping supernatural abilities and incorporating mythological aspects. This combination allowed me to completely suspend my disbelief while I was breathlessly immersed in Rin's reality.

I'm delighted to have finally started to experience The Poppy War series and hope that I won't wait so long before starting on the second novel!

Goodness gracious, what a read. Let me start by saying that overall, I enjoyed this book. I thought it was a really strong entry into the trilogy as well as a very good story in and of itself. However what stood out to me the most was its very unique structure. Many aspects of this book were solidly YA. The characters were written very YA, the relationships were extremely YA, and the story beats (girl has to prove herself to get into school against all odds, girl has to prove herself at school against all odds, girl has to prove herself in battle against all odds, etc.) This was most prominent in the first third of the book, to the extent that I was convinced that the book had been mislabeled as 'Adult fantasy'. And it was these aspects of the book that were my least favorite. I felt that the characters were fairly flat and the story beats were predictable.

But in the last 2/3rds of the book (mainly the last third) the story took a HEAVY dark turn. I mean a near genre shift to hard grimdark. I really commend the author for her incredibly gritty and realistic depiction of the horrors of war because this was extremely brutal. The lighthearted cast of kid characters we grew to know were put through horrific, cruel encounters and completely traumatized, if not graphically slaughtered outright. The main character's "chosen girl" qualities were quickly overshadowed by her poor childlike decisions. But this was not frustrating because she is literally a child making decisions one would expect a child to make. Again, the author expertly crafted a realistic narrative for how children would act in traumatic circumstances. While I never felt that the characters met the level of 'well-developed' the decisions that they made did feel authentic.

The pacing of the story was okay, often times rapidly moving through story points in a few pages, other times lingering on details for just as long. I'd love to see improvements in character development and pacing in the subsequent books, but I'm really excited to continue this story.

This started out as asian and suddenly turned very western. There are a lot of concepts in this book that give tons of room for analyzing.

I think it's the first asian cultured book that tackles real swelling conflicts that made it big in the western world. The negative reviews stem in my opinion from missing knowledge about asian story telling and history.

It starts with people being baffled by Asian writing methods, which originated from a different folklore and developing into the Wuxia genre (which was dominant in the first part), it continued through the blatantly missing knowledge of the sino Japanese war and the Nanjing massacre. And basically ended with ignorance of today's diplomatic relationship between china and Japan. While at the same time using western christian eyes to decipher a story that is written with a chinese philosophy (i.e. Sunzi, interpretation of Rin's character)

This book seems to me as an attempt of a girl of chinese descendant to approach the national trauma, her country has suffered from. She tried to give all those suffering a form. It starts with the cultural history told through Rin growing up in the Academy and branches out through the massacres and the wars which then led to the rise of horrible atrocities in the Republic china. I guess this will be covered in the second book.

Choosing a fantasy story to do this, is in my eyes very smart. Writing and fiction stories are a form of art. You can write in metaphors and symbols. Opinions can be expressed and reflectivly examined. It can also be interpreted. This book is not a book meant for enjoyment. It's grim dark. It is meant to be used as a mirror. No one enjoys death and horror, war and genocides. But through a book we get the chance to box those horrible things into a fictional context and look at it from outside. Trying to give an objective in a conflict in which your normally choose a side.

I think Kuang was very daring to publish this book on a western market. The last time the conflict escalated between Japan and China/Korea was in 2013. That was not so long ago. Neither China nor Japan reflect well on their respective histories and the suffering people had to get through. And Asians really don't like to talk about problems. They rather shut you up and brush it under the carpet.

The stark contrast between the beginning of the book and the end also seems to allow for a different interpretation. Nikan (the china equivalent) was still living by their old ways. They used swords, regular bombs, went by their rules and laws of the empire dynasty. Still communicated with the gods. There is not technical advance. The academy still taught what students got taught since the red emporer.
However Mugen (Japan) embraced the industrial advance. They changed their concepts. They brainwashed their people since they were kids (what you do in facist countries). And they adapted these methods from the west. Ultimately it can seem, that this western technology was the fault that Mugen turned corrupted. The Asian way of life, the proud history of centuries got lost and eaten up by modern warfare. Nikan wouldn't have been so powerless after all if they also would have embraced western warfare. However Kuang answers that in the end, by letting Chinese folklore win the war. In the end Nikan still stands, because they kept true to their history. I think this is a very interesting perspective to analyse the book.

I did not even go into detail, looking at the characters, build up, the fantasy elements and the symbolism. I wanted to explain why this is not just any fantasy book, but how much this book is a piece of art and that things were done with a lot of thought. And I think people reading this book should know this beforehand. This is a philosophical journey to embark on. Not a book to read because you are bored.

That's why I think it's pretty hard to rate this book based on the enjoyment and entertainment value of it. Because this book is a testament of a young intelligent chinese woman who tries to interpret the history of her country and culture and make it possible for western eyes to take a look. This deserves a lot of respect.