mass market paperback, 576 pages
Published May 26, 2009 by Reynolds, Alastair, Ace.
Too long. Felt like a padded-out novella. If it was much shorter, it would have been great.
Alastair reynolds has become a highly competent writer of science fiction entertainments, able to balance his penchant for grotesquery and Gothicism with characters it is possible to like. In my view he has been more successful when limiting the scope of any given novel to one aspect of his larger imagined universe, allowing him to concentrate his powers of description, generating a strong flavour of the culture the action develops in. The Prefect does just that.
This particular novel is a detective story set in the Glitter Band - a place that will be familiar to Reynolds' fans. It is well written and gripping but relies at one point on a trick he's pulled once before - I hope not to see it again in the future.
Reynolds' Century Rain also involved a detective and Peter F. Hamilton is also keen on mixing the detective story with the science fiction …
Alastair reynolds has become a highly competent writer of science fiction entertainments, able to balance his penchant for grotesquery and Gothicism with characters it is possible to like. In my view he has been more successful when limiting the scope of any given novel to one aspect of his larger imagined universe, allowing him to concentrate his powers of description, generating a strong flavour of the culture the action develops in. The Prefect does just that.
This particular novel is a detective story set in the Glitter Band - a place that will be familiar to Reynolds' fans. It is well written and gripping but relies at one point on a trick he's pulled once before - I hope not to see it again in the future.
Reynolds' Century Rain also involved a detective and Peter F. Hamilton is also keen on mixing the detective story with the science fiction thriller - is a new sub-genre forming?
28/1/2012
Re-reading this I observe that there is an automaton in the shape of an owl that plays a minor role. Now Reynolds openly admits to taking inspiration from films and this particular owl appears to resemble a certain gift from the Goddess Athena in Ray Harryhausen's last film, Clash of the Titans. Hmmm. Release the Kraken!
I also think I have done Reynolds a mild dishonour by suggesting that this is perhaps only an "entertainment." In fact there is a very overt battle in the book between two characters, one of whom thinks people need to have their rights curtailed in the name of their own safety and another who is entirely opposed to this. Now, that doesn't strike anyone else as perhaps being relevant to the current political situation in various Western nations, does it?
