The Outlaws Scarlett and Browne

I'm a big fan of Stroud from the Bartimaeus days. This could be his best series since that ground-breaking epic of a djinn and his human. Stroud's humour and the accessibility of his writing put him in the confectionery aisle of the literary supermarket, but there's a lot of mental and cultural nutrition mixed in with his sweet booky treats.

First up, the characters. Scarlett is a robber and an assassin, a total bad-arse heroine with a dark past. Just one line should dispel any worries from those who felt a bit let down by the self-doubting lovesick Lucy from "Lockwood and Co".

Albert, the Browne of the title, is a kind of autistic superhero, the opposite of Scarlett, but charming and lovable in his youthful innocence and uncontrolled power. There is an impeccable balance in this dynamic duo. They seem to reflect the potential and the challenges faced by young people today, reminding me of Todd and Viola in Patrick Ness' "Chaos Walking".

The post-apocalyptic setting also works beautifully. It is part "Riddley Walker", part "The Chrysalids". From the latter, it also inherits a future world of dangerous and oppressive religious extremism. Stroud conjures a multi-faith theocracy, where Islam, Hinduism, Christianity and the rest join forces in a nasty cabal of murderous oppression, with Scarlett and Browne sharing the podium as its its public enemies number one.

There are obvious references to westerns in the title and the story, but this is English to the max. Calling the post-apocalypse Britain "the seven kingdoms" is also a cheeky swipe at that preposterous yank George RR Martin.