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“War polarises. It works by defining otherness. But for Hay, North Africa yielded a particular sense of how all cultures live across their differences. This doesn’t polarise or neutralise anything so much as partialise it. It is not simply that death levels all, but that languages deepen and extend humanity.”

Prof Alan Riach looks at the influence of WW2 on the poetry of Sorley MacLean & George Campbell Hay

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https://www.thenational.scot/news/19307039.born-war/

Rock an’ stane lay glisterin’ on aa the heichs abune.
Cool an’ kind an’ whisperin’ it drifted gently doon,
till hill an’ howe war rowed in it, an’ land an’ sea war gane.
Aa was still an’ saft an’ silent in the smoky smirr o rain.

—George Campbell Hay, “The Smoky Smirr o’ Rain”
from WIND ON LOCH FYNE (Oliver & Boyd, 1948). Hay revised it into a longer, 8-verse poem in 1983, which can be found in his COLLECTED POEMS & SONGS

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She’s a solan, she’s a tramper, she’s a sea-shaker,
she’s a hawk, she’s a hammer, she’s a big-sea-breaker,
she’s a falcon, she’s a kestrel, she’s a wide-night-seeker,
she’s a river, she’s a render, she’s a foam-spray-waker…

—from “Seeker, Reaper” by George Campbell Hay
Published in Collected Poems & Songs of George Campbell Hay (EUP 2019)

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https://www.scottishpoetrylibrary.org.uk/poem/seeker-reaper/