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Whilst much of this novel has now of course been outcanoned and probably retconned to boot, it was compelling for its time. I never quite felt the emotional connect I wanted to, I think Federation still holds my top spot for a good read in the Pre-Kirk era, but I enjoyed this more than I was expecting to nevertheless.

For some reason, enjoying Imzadi didn't mean I had read the sequel. I don't think I even knew about it until I saw this signature edition, which is a bit poor of me given my appreciation of both the Trekverse and PAD as an author.

So yes, it's contrived. Peter's written a story into an era already lapsed onscreen, so we know what happens afterward. Of course he knows that we know this, but we know that he knows we know too, so the story has to be careful. and it works, it's a clever series of contretemps based on the Rikers, a cleverly circumnavigated ménage à Deanna, with plenty of backreferences to good Next Generation stuff and a sprinkling of Peter's original trek work. as an opener to a new year, it is somehow very satisfying to pull something out from the solidity of Classic Star Trek.

Practically a re-run of the first book without the introductory chapters, this one pitches us straight into the action. Just what you'd expect of this entertaining continuation. Well worth a few hours curled up with a couple of warm drinks on a cold day.

Practically a re-run of the first book without the introductory chapters, this one pitches us straight into the action. Just what you'd expect of this entertaining continuation. Well worth a few hours curled up with a couple of warm drinks on a cold day.

One of Peter's best for me. A vivid, plausable exoplanet, a whip-smart lead, and plenty of action and adventure mixed with sometimes very quick thinking yet clear and profound cogitation. Just the proper recipe for a truly cracking story. Even from the very beginning, the nature of the crew's birth shows us we're not in for your stereotypical action story, yet when we see the warring factions later on and all that lead to them (the drill thing scared me, I clenched up), it was also evident that when action needs to happen it happens well. I felt a bit like I was reading some james White at times, and at others, heinlein.

Wow. I was totally on the wrong track with this, despite plenty of clues. Intriguingly unfolded from start to finish and with a twist I should have seen coming but delightfully didnt, I gratefully devoured this book in a few short hours thanks to Michael's recommendation. Reynolds isn't a new name to me, but I can't recall reading anything of his before for some reason. IF this is any indication of the standard, I've seriously been missing out.

A snappily told story with lots of heart, this may well be one to keep on the shelf until it catches my daughter's eye. It reminded me of a toned-down creepy x-files episode, although of course the idea of dolls getting their wicked way with people isn't new. Nonetheless, it was handled well here, and carries through the idea of speaking up for yourself tremendously. Very much enjoyed.

Anthropological fiction can sometimes come across a little didactic and I felt that here. An interesting idea, though -I’d read more, but not if I had something I knew would be more exciting.

Anthropological fiction can sometimes come across a little didactic and I felt that here. An interesting idea, though -I’d read more, but not if I had something I knew would be more exciting.

Though very obviously similar to previous works, it was enjoyable to see how things extended. I enjoyed carrying this on.d

Conrad's ethics seemed to dip some here, and the inevitable but irritating introduction of more time travel soured things some.

This seemed to end an era, the big battle, which Conrad had been tooling up to repel for all these years, draws close.

Though very obviously similar to previous works, it was enjoyable to see how things extended. I enjoyed carrying this on.d