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I was gripped from the first chapter. Despite Picard having gone down some directions onscreen that I find curious, the opening to this novel portrayed Jean-Luc to perfection as an elder statesman pulling strings and having his way with a society where he’s already done so much. This is hugely contrasted with the final act of the work, where Una touches on “The history that Jean-Luc Picard had lived through”, and it begins with the Romulan Supernova, of all things. I know that, technically, that is where this chapter of his life begins now, but it seems rather tawdry to dismiss the first 75 years of his life as having no historical significance.

Apart from that, the book had solid footing all the way through. The protagonist – who I will not name due to his identity being only implied early on - is of course one of my very favourite characters whom I had not heard mention of for several decades in the trekverse. I loved every minute he was in view, enjoyed – or imagined – the callback to the White Star of Night, and will want to read more closely the scenes with the old Vedek if, other than penetrating eyes, there are more subtle clues I might have missed on the first go around.

I’ve had a rocky time with pic novels: The Last Best Hope did Romulans well, and here too, Sokara is vivid. The Dark Veil was my favourite – it had the feel of an episode about it, it was set on a starship, it returned us to what we thought of as old Trek at times. Rogue Elements was harder, because I’d not warmed up to Rios, and now here we are, with second Self pressing my buttons in a good way (and it’s only now I’ve typed that title that I realise there is more than one meaning behind it. Very clever). Given the previews of Pic Season 3 going around, I can only imagine the enjoyment authors will have with stories set around it.
Tldr? A worthwhile couple of hours with my kindle, thanks very much!

I was gripped from the first chapter. Despite Picard having gone down some directions onscreen that I find curious, the opening to this novel portrayed Jean-Luc to perfection as an elder statesman pulling strings and having his way with a society where he’s already done so much. This is hugely contrasted with the final act of the work, where Una touches on “The history that Jean-Luc Picard had lived through”, and it begins with the Romulan Supernova, of all things. I know that, technically, that is where this chapter of his life begins now, but it seems rather tawdry to dismiss the first 75 years of his life as having no historical significance.

Apart from that, the book had solid footing all the way through. The protagonist – who I will not name due to his identity being only implied early on - is of course one of my very favourite characters whom I had not heard mention of for several decades in the trekverse. I loved every minute he was in view, enjoyed – or imagined – the callback to the White Star of Night, and will want to read more closely the scenes with the old Vedek if, other than penetrating eyes, there are more subtle clues I might have missed on the first go around.

I’ve had a rocky time with pic novels: The Last Best Hope did Romulans well, and here too, Sokara is vivid. The Dark Veil was my favourite – it had the feel of an episode about it, it was set on a starship, it returned us to what we thought of as old Trek at times. Rogue Elements was harder, because I’d not warmed up to Rios, and now here we are, with second Self pressing my buttons in a good way (and it’s only now I’ve typed that title that I realise there is more than one meaning behind it. Very clever). Given the previews of Pic Season 3 going around, I can only imagine the enjoyment authors will have with stories set around it.
Tldr? A worthwhile couple of hours with my kindle, thanks very much!

The second of Doug’s recent novels to be written with first person narration, Portals opens with a much more actiony feel than Unidentified. I didn’t particularly click with Noah to start with, but he grew on me, and his logical deductions and inferences were dazzling and exciting to read about.

The portals themselves were cleverly done, and the intricacy of the connections and AI-monitored travel rules leave a lot of room for more novels set in this universe. I really hope Doug can fly with this, he’s done a few series before and, to my mind, Portals is ripe for future exploits someday. Yet again, Doug excels at manipulating the reader and characters both (although any time I see that someone died in a Doug Richards novel I now disbelieve it until there’s a genuine body). As this story progressed, I was engaged and excited. I read the first 2 parts and went to bed, the addiction specialist idea bubbling up in my head. I paused at the start of part 6 to go feed myself and kept churning everything over in my mind. And then I finished the whole thing after that, gleefully sucking down every twist and turn and totally enjoying myself.

The second of Doug’s recent novels to be written with first person narration, Portals opens with a much more actiony feel than Unidentified. I didn’t particularly click with Noah to start with, but he grew on me, and his logical deductions and inferences were dazzling and exciting to read about.

The portals themselves were cleverly done, and the intricacy of the connections and AI-monitored travel rules leave a lot of room for more novels set in this universe. I really hope Doug can fly with this, he’s done a few series before and, to my mind, Portals is ripe for future exploits someday. Yet again, Doug excels at manipulating the reader and characters both (although any time I see that someone died in a Doug Richards novel I now disbelieve it until there’s a genuine body). As this story progressed, I was engaged and excited. I read the first 2 parts and went to bed, the addiction specialist idea bubbling up in my head. I paused at the start of part 6 to go feed myself and kept churning everything over in my mind. And then I finished the whole thing after that, gleefully sucking down every twist and turn and totally enjoying myself.