Stephen replied to UraniumSlug's status
@UraniumSlug I didn't get into that one either, but admittedly I didn't try for very long
Brit in Canada. I read when I can't sleep, so yes there's a lot of books here. Nearly all SF.
he/him
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Success! Stephen has read 69 of 50 books.
@UraniumSlug I didn't get into that one either, but admittedly I didn't try for very long
Great comic, mainly but not exclusively about a fishing trip in Gaspésie, and the earlier events in the character's lives that they recount.
This isn't a full Canterbury Tales type thing, it's just a slice of someone's life. However the book gets pretty dark, with some detailed coverage of their attempts to have a child. Fair warning, not just about fish!
So, there is a girl called Echo Désjardins, who is Métis and in Winnipeg Middle School. She seems entirely depressed and detached from her life. She is interested in her history lessons, but daydreams in them, and then enters the actual past of how the colonials treated the Métis (spoilers, not well at all).
So half the book is telling this story from the roughly 19th century, and the other half is Echo wandering around being confused. She gets a bit happier, I think, but I'm not sure why. And then the omnibus finishes. Now in general one can say that true life doesn't have a neat beginning, middle, and end; but the historic parts told a much better story to me than Echo. I certainly hope the girl has had some character growth but it was difficult to tell.
The artwork of the book is nice, and I appreciated …
So, there is a girl called Echo Désjardins, who is Métis and in Winnipeg Middle School. She seems entirely depressed and detached from her life. She is interested in her history lessons, but daydreams in them, and then enters the actual past of how the colonials treated the Métis (spoilers, not well at all).
So half the book is telling this story from the roughly 19th century, and the other half is Echo wandering around being confused. She gets a bit happier, I think, but I'm not sure why. And then the omnibus finishes. Now in general one can say that true life doesn't have a neat beginning, middle, and end; but the historic parts told a much better story to me than Echo. I certainly hope the girl has had some character growth but it was difficult to tell.
The artwork of the book is nice, and I appreciated the timelines and other historic sidebars, e.g. what is pemmican and how was it made.
Difficult to review in detail without spoilers, but all the things I like about the first one. The characters still manage to find some time to have a lot of sex but do calm down a little. Still a very horny future. I'm sure billionaires now read it and love it, as basically the plot is "the billionaires get together to sort out all the problem" in a similar manner to fantasy books where the kings and queens do it. The myth of competence is reassuring.
After a break of reading PFH, I've started reading some of his books again. I still absolutely love Pandora's Star and Judas Unchained. I really liked his previous long space opera (Night's Dawn) but this universe feels a bit more fleshed out. Cars and trains (oh, the trains) have models and people clearly have preferences. There's discussions about sports and brands and TV and paying attention to some of it now rewards later on, but not in a major way.
The action is good, the science is fun, but unlike his next trilogy in this universe, it doesn't feel cartoonish. The Void Trilogy to me feels like a lot of technobabble and deus ex machina. Book 1 here starts well.
But it's difficult to ignore the sex. Everyone is constantly horny and having sex with at least one other person. In fact it is stated in the book that after …
After a break of reading PFH, I've started reading some of his books again. I still absolutely love Pandora's Star and Judas Unchained. I really liked his previous long space opera (Night's Dawn) but this universe feels a bit more fleshed out. Cars and trains (oh, the trains) have models and people clearly have preferences. There's discussions about sports and brands and TV and paying attention to some of it now rewards later on, but not in a major way.
The action is good, the science is fun, but unlike his next trilogy in this universe, it doesn't feel cartoonish. The Void Trilogy to me feels like a lot of technobabble and deus ex machina. Book 1 here starts well.
But it's difficult to ignore the sex. Everyone is constantly horny and having sex with at least one other person. In fact it is stated in the book that after a human goes through medical rejuvenation, there are whole planets for no-strings sex. Unlike previous books, PFH has calmed down a bit and we don't get a shopping list of positions every single time.
If I described the plot it would sound like a classic SF novelette and barely push 70 pages. It's a credit to Reynolds that the 300 odd pages here feel very short. It starts slow, and each time I start thinking "okay you've made your point" it speeds up the exact right amount. So it repeats, but not in a bad way.
I enjoyed the gentle humour as the grown-ups put up with Anne but when she's young, she's bloody irritating. Very glad I read it before doing the mandatory tour of "her house" which is set out with a large number of references to the book (shattered slates and all).
The book suddenly speeds up in the last quarter and a few years pass, before the conclusion of the book slows down again. Honestly can't guess the tone of the next one.
Honestly could barely tell this wasn't by the original authors, the writing and graphic styles are both on point. The main difference I noticed was that there's (a bit) more diversity in the speaking roles. Very welcome.
Fundamentally I think there's not much entertainment I'm getting from a comic about the copyright dues of comics. Some good jokes, but even a whole trade seemed like a lot to devote to this, and it keeps going.
Will be interesting to see if I change my mind on this, as generally the reviews appear to be "book two is where it all comes together" but while this was enjoyable, there was the fantasy version of technobabble and unstoppable forces literally colliding in the air over protagonists heads.
It's not bad, but the thought of nine more doorsteps means I'm going to have to pace them out.