Comet in Moominland

The Moomins, a family of trolls, have appeared in my life in various ways; I vaguely remember having read (or having been read) one of the novels as a young child - as an older child I remember the animated series on television. I happened across it by accident and spent much time in enjoyable confusion about the names and natures of the seemingly infinite cast of characters. This year I decided I wanted to find out more than my hazy memories could tell me and in the process stumbled across the fact that Tove Jansson had written and drawn a Moomin strip comic for a British newspaper and I acquired the first volume of the collected strip comics and read it. I was pleasantly surprised to find it densely but gently satirical as well as pleased to find that the bizarre imagination (particularly for characters who are mythic or completely invented creatures) was most definitely as I recalled.

This meant I still didn't know what the novels were like, but encouraged by the high quality of the comic strip and my memories, I decided to give Comet in Moominland a go - selected because it was the first written (though not first published, I think) of the Moomin novels.

It turned out to be a delightful, pleasant book, strong on imagined characters and incidental mystery - what is a Snufkin? Just how much difference is there between a Troll and a Snork? Everybody and everything is introduced blithely as if common-place without any real requirement for detailed explanation. Everybody knows what a Hattifattener is, really - description is almost superfluous.

The plot is epic compared to those in the volume of comic strips I read - the fate of Moomin Valley (and the rest of the world, really) is at stake and an arduous journey is undertaken to request knowledge and help in saving the day.

The gentle satire is present but in lesser quantity - a philosopher who states that everything is Unnecessary, is never-the-less rather keen on creature comforts (all the more so because he is a creature - a Muskrat)and not being destroyed by the impact of a celstial body. Not keen enough to actually help avert the crisis, however. The scientists that Moomintroll appeals to for information and help take no interest, but pour out all their knowledge to the Snork Maiden when asked about their work...

Contrast of characters is also used to give a Message about the moral and physical dangers of too much attachment to physical belongings (a sentiment expressed in the comic strip, too). The characters are also used to promote the virtues of friendship and familial love. Moomintroll's faith that his mother, Moominmama will fix everything if only they can get back to her in time, is touching - hasn't there been a time in all our lives when we had absolute faith that Mum could resolve any problem satisfactorily?

I suppose it is not too much of a spoiler to reveal that Moomintroll, friends and family, The Valley of the Moomins and even the rest of the planet survive to return in more books; I look forward to reading them.

I would say that comparing Comic Strip vol.1 to Novel 1, the strip has just a slight edge in my opinion because it is more densely packed with satire, but that a greater focus on plot is suited to the novel as a form, so perhaps each should be enjoyed for their own merits and comparison should not be dwelled on too much.

Now, if only some-one would tell me what order the rest of the novels are meant to be read in....