Entertaining history book. You can tell that it started as a radio show. Lots of jokes and wordplay, but I learnt a few things
First of all I appreciate this book isn't actually written by Mr Fry, but has rather been transcribed by [a:Tim Linhoreau] after following Stephen around with a dictaphone around for a few weeks. Or at least that's the impression you get.
The writing style is conversational at best, whimsical at worst. For the first few hundred paces, the style is interesting and one will appreciate the little word plays. But these word plays and continual diversions do start to tire after the two thirds mark and the last third of the book becomes sluggish. The last third also feels somewhat rushed, and the conclusion to the book is pretty much non-existant, leaving the reader quite literally dangling from the end of the page.
This book does though present a humorous view on Classical music and present the range of different periods and styles, why the terms aren't quite so concrete …
First of all I appreciate this book isn't actually written by Mr Fry, but has rather been transcribed by [a:Tim Linhoreau] after following Stephen around with a dictaphone around for a few weeks. Or at least that's the impression you get.
The writing style is conversational at best, whimsical at worst. For the first few hundred paces, the style is interesting and one will appreciate the little word plays. But these word plays and continual diversions do start to tire after the two thirds mark and the last third of the book becomes sluggish. The last third also feels somewhat rushed, and the conclusion to the book is pretty much non-existant, leaving the reader quite literally dangling from the end of the page.
This book does though present a humorous view on Classical music and present the range of different periods and styles, why the terms aren't quite so concrete and the little insanities of various composers. The author (or dictator) does a very good job of helping you place the life and words of composers into specific markers in history, providing you with some context with which to appreciate their work in. Most importantly it does this like a good schoolteacher, in a style that means those little facts aren't suddenly going to drain straight back out of your ear. You're going to remember WAGNER requires big letters and "Mad" Louise-Hector Berlioz sneaking to Paris dressed as a lady's maid to try and win the affection of his not-quite-so-just-yet-beloved.
For those with a passing interest into classical music, this is a book for you. It will help you appreciate your listening more. However, for the hardened classical listener with a loaded cheese board and port selection, it may prove a whimsical introduction or an aside, but you may want something with more meaty content.
