eBook, 424 pages
English language
Published May 30, 2023 by Tor Books.
After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well.
But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?
Kai will need to pull his allies close and draw on all his pain magic if he is to answer even the least of these questions.
He’s not going to like the answers.
I tried this because of Murderbot and that it’s highly regarded. As I’m getting started I’m wondering when I give up on it. Was hard to get into and the current and past chapters were confusing.
I believe this is almost all on me and not the book.
But, by the end I was enjoying it and wanted more . So well done.
This one is difficult to rate for me. I only had 7 days to read it but it's a book that needs to be savoured. You should take your time with it. So I probably didn't get the full experience. The narrative starts right in the middle of a story that has a long backstory some of which the readers are going to learn during the course of the book. There are also quotes from historical or anthropoligical works from that world at the beginning of chapters. A lot of thought went into the world-building. The chapters switch between the present and the past. While I do like the sense of layers of history that certain places and relationships have due to that I also feel that this narrative structure didn't quite work. A couple of times the timing is such that the emotional impact of places and events is …
This one is difficult to rate for me. I only had 7 days to read it but it's a book that needs to be savoured. You should take your time with it. So I probably didn't get the full experience. The narrative starts right in the middle of a story that has a long backstory some of which the readers are going to learn during the course of the book. There are also quotes from historical or anthropoligical works from that world at the beginning of chapters. A lot of thought went into the world-building. The chapters switch between the present and the past. While I do like the sense of layers of history that certain places and relationships have due to that I also feel that this narrative structure didn't quite work. A couple of times the timing is such that the emotional impact of places and events is lessened because we don't know of it, yet. I also wish we could have spent a bit more time with the grassland tribes in the beginning.
“I'm so angry, I could burn the world." "Unfortunately, someone else has already burned it. We need to unburn it."
Martha Wells remains undefeated .
In one sense, it was like Lord of the Rings in that by the time you got to the end of the book, you have a fairly good idea on the histories and hierarchies of the different people groups, but there's still so much more to explore. Left wanting more.
What was definitely different from LOTR is the quality of the characters and their relationships. Overall, a great time.
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A …
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.
That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?
A fun, fast-moving fantasy story in an interesting world and compelling characters. I would have loved a little bit deeper character development to get up to that fifth star.
This was a very nice read and astonishingly complex world building for a single volume. My main issue with the book was that I needed the first half to figure out what was going on and then spent the second half to remember all the intricate details of the world Martha Wells created. I would definitely read another book from the same universe.
