A gripping vision of our society radically overturned by a theocratic revolution, Margaret Atwood’s The Handmaid's Tale has become one of the most powerful and most widely read novels of our time.
Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.
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A gripping vision of our society radically overturned by a theocratic revolution, Margaret Atwood’s The Handmaid's Tale has become one of the most powerful and most widely read novels of our time.
Offred is a Handmaid in the Republic of Gilead, serving in the household of the enigmatic Commander and his bitter wife. She may go out once a day to markets whose signs are now pictures because women are not allowed to read. She must pray that the Commander makes her pregnant, for in a time of declining birthrates her value lies in her fertility, and failure means exile to the dangerously polluted Colonies. Offred can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name. Now she navigates the intimate secrets of those who control her every move, risking her life in breaking the rules.
Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid's Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant.
I was warned this book is not a fun one. Indeed it is not.
You get to see the omnipresent fear and violence of a patriarchal surveillance state. You get to see how it got there, little by little, and how it got accepted. The disturbing part is that it is very much believable...
I hadn't seen since Orwell's "1984" the effect of a totalitarian system on an individual so well described, especially at an individual level. You get to see how a single mind resists or breaks when faced with such overwhelming brutal and oppressive environment.
It is definitely worth reading, especially when you keep in mind the fact that Atwood has been censored in several US states.
An interesting book - very post apocalyptic - but it felt like it ended too soon, with questions left unasked. For example, who are The Eyes? Why does the Commander have his position? What happens to the narrator? What’s happening in the rest of the world? You don’t really get a feel for who is behind everything - the organisation is named but none of the individuals make an appearance.
It might be worth getting the York Notes book and then I'll try reading this again. I didn't start enjoying it until I viewed it as black humour. It has some deep and important themes... and I missed every single one.
En el libro hablan de una sociedad totalitaria en las que las mujeres han perdido su libertad y son asignadas a un rol en la sociedad. El libro te absorbe por que es totalmente pausible, y más en viendo los días que llevamos, que la sociedad se degrade de esa manera. Me ha gustado mucho.
Anyone who followed my status updates will know I struggled with this book, particularly in the first half. The graceful prose could not compensate for the complete absence of plot. Instead we have an extra-ordinary focus on the minutiae of life that eventually becomes painful. I pushed through this for two reasons: 1) I'd never seen anything negative written about the book as a whole and therefore was continually expecting something to change, possibly something amazing to appear. A brief incident at 1/3 of the way turned out to be a false dawn but gave enough hope to get me through to when the real story starts at half way. 2) I could understand what Atwood was trying to achieve with all that minute description; Offred's life had been reduced to such - there was nothing else for her to focus on - there was no narrative in her life …
Anyone who followed my status updates will know I struggled with this book, particularly in the first half. The graceful prose could not compensate for the complete absence of plot. Instead we have an extra-ordinary focus on the minutiae of life that eventually becomes painful. I pushed through this for two reasons: 1) I'd never seen anything negative written about the book as a whole and therefore was continually expecting something to change, possibly something amazing to appear. A brief incident at 1/3 of the way turned out to be a false dawn but gave enough hope to get me through to when the real story starts at half way. 2) I could understand what Atwood was trying to achieve with all that minute description; Offred's life had been reduced to such - there was nothing else for her to focus on - there was no narrative in her life - no incident - just tiny experiences in a mundane, excruciatingly narrowly circumscribed existence - hardly a life at all. 150p of such, even somewhat intercut with memories of events leading up to her current situation, proved to be hammering the nail long after it had been hit home, though.
When it finally arrives, the plot is not much, either and exists more to show the corruption extant in this Brave New World than to tell an exciting story and we are finally led to denouement, the story ends abruptly and ambiguously.
The book is hugely redeemed by the "Historical Notes" however; far from being the tidied up working notes of the author or a chronology of the future history as I had feared, it is a crucial part of the novel itself that made me feel that the book was a decent effort.
Part of my troubles were down to the fact that I was more in need of an exciting adventure story than a sledgehammer political warning about the dangers of the Religious Right of the USA, which is hardly Atwood's fault. As such it works well but to be effective it needs to be read by young people - that is, people in schools - and perhaps the most profound comment in the entire books is, "Our biggest mistake was teaching them [women] to read." Mass education is the best thing that can happen to women - and men, too. It's appalling that this isn't a given for everybody, worldwide.
There's no escaping the fact that this is a novella's worth of material diluted to novel length, though.
