tuell.bookwyrm reviewed Der Fremde by Albert Camus
klassiker
5 stars
gesellschaftlich so wertvoll, empathieförderung, harte kost zwischendurch
124 pages
Spanish language
Published July 15, 1999
L'Étranger (French: [l‿e.tʁɑ̃.ʒe]) is a 1942 novella by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy, absurdism coupled with existentialism, though Camus personally rejected the latter label.The title character is Meursault, an indifferent French Algerian described as "a citizen of France domiciled in North Africa, a man of the Mediterranean, an homme du midi yet one who hardly partakes of the traditional Mediterranean culture." He attends his mother's funeral. Weeks later, he kills an Arab man in French Algiers, who was involved in a conflict with one of Meursault's neighbors. Meursault is tried and sentenced to death. The story is divided into two parts, presenting Meursault's first-person narrative view before and after the murder, respectively. In January 1955, Camus wrote this:
I summarized The Stranger a long time ago, with a remark I admit was highly paradoxical: "In our society any man …
L'Étranger (French: [l‿e.tʁɑ̃.ʒe]) is a 1942 novella by French author Albert Camus. Its theme and outlook are often cited as examples of Camus' philosophy, absurdism coupled with existentialism, though Camus personally rejected the latter label.The title character is Meursault, an indifferent French Algerian described as "a citizen of France domiciled in North Africa, a man of the Mediterranean, an homme du midi yet one who hardly partakes of the traditional Mediterranean culture." He attends his mother's funeral. Weeks later, he kills an Arab man in French Algiers, who was involved in a conflict with one of Meursault's neighbors. Meursault is tried and sentenced to death. The story is divided into two parts, presenting Meursault's first-person narrative view before and after the murder, respectively. In January 1955, Camus wrote this:
I summarized The Stranger a long time ago, with a remark I admit was highly paradoxical: "In our society any man who does not weep at his mother's funeral runs the risk of being sentenced to death." I only meant that the hero of my book is condemned because he does not play the game. The Stranger's first edition consisted of only 4,400 copies, which was so few that it could not be a best-seller. Since the novella was published during the Nazi occupation of France, there was a possibility that the Propaganda-Staffel would censor it, but a representative of the Occupation authorities felt it contained nothing damaging to their cause, so it was published without omissions. However, the novel was well received in anti-Nazi circles in addition to Jean-Paul Sartre's article "Explication de L'Étranger".Translated four times into English, and also into numerous other languages, the novel has long been considered a classic of 20th-century literature. Le Monde ranks it as number one on its 100 Books of the Century. The novel was twice adapted as films: Lo Straniero (1967) (Italian) by Luchino Visconti and Yazgı (2001, Fate) by Zeki Demirkubuz (Turkish).
gesellschaftlich so wertvoll, empathieförderung, harte kost zwischendurch
This book has left me thinking about the apathy, fatalism and almost the complete lack of affect by the protagonist, Meursault. I understand it is a commentary, as the back of the book says, on the "absurdity of life" but a life without ambition or feeling strikes me as very incongruous.
Instantly captivating story. Very easy to read, although that may be partially because I enjoy shorter books! I can definitely relate to Meursault and the way he reacts to people and how he thinks about things. Coincidentally the second 1940s novel I've read this summer; enjoyed it much more than Sheltering Sky, although both seem to reflect the existential makeup of the WWII era.